PRINT RESOURCES

Preparing Print-Ready Files

Properly prepared artwork helps your project move smoothly through prepress and production while maintaining the color, image quality and layout you intended. Use the guidelines below to prepare your files for commercial printing. When you're ready, send your artwork, documents and large files securely to our prepress team - see link below.

STEP 1

Print-Ready PDF

A properly prepared, high-resolution PDF is the preferred format for most print projects.

Before submitting your PDF:
  • Use Adobe PDF (Print) when exporting from Adobe applications
  • Export as single pages, not spreads
  • Include 0.125" (1/8") bleed when artwork extends to the edge
  • Select Use Document Bleed Settings
  • Include crop marks when applicable
  • Use high-resolution images — 300 PPI at final size is recommended
  • Make sure fonts are properly embedded
  • Verify all pages, artwork and content are final and approved
  • Do not apply password protection or other PDF security restrictions

Important: Submitted print-ready PDFs are generally produced as provided. Changes or corrections requested after submission may require additional prepress time or charges.

STEP 2

Bleed Requirements

Bleed is artwork that extends beyond the finished trim edge of your printed piece. It allows for slight movement during trimming and helps prevent unwanted white edges.

Standard Bleed: 0.125" (1/8") on all sides

Any background color, photograph or graphic that is intended to print to the edge of the finished piece should extend completely to the bleed line.

Example — 8.5" × 11" Finished Piece

Finished Size: 8.5" × 11"
File Size Including Bleed: 8.75" × 11.25"

Don't Forget the Safe Area

Keep important text, logos and other critical elements safely inside the final trim edge. We recommend keeping critical content at least 0.125" (1/8") inside the trim unless your project requires otherwise.

STEP 3

Color Specifications

Commercial printing typically uses the CMYK color process — Cyan, Magenta, Yellow and Black. Proper color setup helps produce more predictable results when your artwork goes to press.

CMYK vs. RGB

Prepare process-color artwork and images in CMYK whenever possible. RGB colors are created for screens and may shift in appearance when converted for commercial printing.

Because monitors display color differently than printed ink or toner, some variation between what you see on-screen and the finished piece is normal.

Pantone® & Spot Colors

If your project requires a specific brand color, Pantone® (PMS) or another spot color, do not automatically convert it to CMYK. Keep intentional spot colors clearly identified in your artwork and let us know they are required.

Spot colors may also be used for specialty printing and finishing applications.

Black Text & Rich Black

For normal black text and small black elements, use 100% Black:

C: 0% | M: 0% | Y: 0% | K: 100%

For large solid black areas, use Southwestern Rich Black for a deeper, more consistent appearance:

C: 60% | M: 40% | Y: 40% | K: 100%

Avoid using rich black for small text or fine lines. Use 100% Black (K) for those elements.

Color-Critical Projects

If accurate color matching is important to your project, please discuss proofing and color requirements with your Southwestern representative before production.

STEP 4

Fonts

Proper font preparation helps prevent unexpected substitutions, reflow and other changes when your files are processed for printing.

Print-Ready PDFs

When submitting a print-ready PDF:

  • Make sure all fonts are properly embedded in the PDF.

  • Review the final PDF carefully to confirm type appears exactly as intended.

  • Avoid artificially created bold, italic or other font styles when the actual font style is available.

Native Files

When submitting InDesign or other native application files:

  • Include the fonts used in your project when font licensing permits.

  • Make sure there are no missing or inactive fonts before packaging your files.

  • In Adobe InDesign, use Type → Find/Replace Font to locate missing fonts.

  • Package your InDesign project before submitting it so required fonts and linked artwork are collected together.

Converting Fonts to Outlines

For certain logos, display type or specialty artwork, converting text to outlines can help preserve its appearance when appropriate.

However, keep an editable copy of your original artwork before outlining fonts. Outlined text can no longer be edited as normal type.

Font Licensing

Some commercial fonts and cloud-based fonts have licensing restrictions that prevent them from being packaged or transferred.

If a required font cannot legally be supplied, contact Southwestern and we'll help determine the best way to prepare your artwork.

STEP 5

Document Size

Whenever possible, create your artwork at the actual finished size of the printed piece. This helps ensure that images, type, bleeds and other design elements reproduce as intended.

Finished Size

Set your document page size to the final trimmed size of the project.

For example:

Finished Size: 8.5" × 11"
Document Page Size: 8.5" × 11"
Bleed: 0.125" on all sides

The bleed extends beyond the document page — you do not need to manually increase the document's finished page size when the bleed is set up correctly in your design application.

Designing at Reduced Scale

Large-format projects may sometimes be created at a reduced scale, such as 50% or 25% of final size.

If your artwork is not created at 100%:

  • Clearly indicate the scale used when submitting your files.
  • Make sure image resolution is sufficient for the final enlarged size.
  • Verify that bleeds and other production specifications are proportional to the scale.
Final Size Matters

Before submitting your artwork, verify that the document dimensions match the size shown on your estimate, order or project specifications.

If you're unsure about the correct document size, contact Southwestern before submitting your files so we can help you set up the project correctly.

STEP 6

Multi-Page Documents

For booklets, catalogs, manuals and other multi-page projects, submit one complete PDF with individual pages arranged in normal reading order.

Southwestern will handle the necessary imposition and page arrangement for production based on your project's final size and binding method.

Correct Setup

Submit individual pages in sequential reading order:

  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Page 5
  • Continue through the final page

Single Pages ✓

Do Not Submit

Unless specifically requested by Southwestern, please do not submit:

  • Printer spreads
  • Reader spreads
  • Pre-imposed pages
  • Multiple separate PDFs for individual pages

Let us handle the imposition.

Facing-Page Documents

You may design your project using facing pages or spreads in applications such as Adobe InDesign. When creating the final print-ready PDF, however, export the document as individual pages rather than spreads.

Page Count

Page-count requirements can vary depending on the binding method. For example, saddle-stitched projects generally require page counts in multiples of four.

We'll determine the proper production setup based on your project's binding requirements.

Ready to Send Your Files?

Everything checked and ready to go? Upload your artwork and supporting files securely, or contact Southwestern if you need help before submitting.

Submitting native files? Please include a PDF of the final approved artwork with your packaged files as a visual reference for our prepress team.

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